The Hoodie
Cloth Felpa
Chest clean. The mark is set into the outer back of the hood at 100 mm, centred on the hood centre line, upright, tone on tone. Understitching removed at the hem and the cuff.
The piece worn. Three-quarter, standing. Hard raking key from the left, long shadow. Crimson ground. No face, no hands above the wrist.
The mark, on the cloth, at working distance. Raking light so the relief reads by sheen. Tone on tone — the mark must disappear in colour and appear only in light.
The construction decision named in the line above — hem, cuff, waistband or slit. Square to the seam. Same key.
Surface at close range. Weave or loop structure legible. No garment silhouette in frame.
100 mm
Shown from the 55 mm garment cut — a 100 mm cut must be drawn. Hairlines are optically weighted per size.
- Placement
- Hood, outer-back panel — 60 mm below the crown seam
- Method
- Tonal — deboss or raised print
- Reads by
- Relief and sheen, tone on tone — never by colour
Deboss or raised print — REV 01 leaves both open, to be decided on a wash test. Cut from the master.
- Ivory
- Pantone 11-0607 TCX · Sugar Swizzle
- Jet Black
- Pantone 19-0303 TCX
Two colours, whole collection. The mark is matched to the body, not to a reference.
Request this piece.
Name it, and we reply from Milano by hand within two days.
Milano. By appointment.